I am enjoying my return to figure painting. I have been using charcoal for ages but not anymore, at least until I crave a change, … which happens quite often. The poses here are 2-5 minutes long, the drawing has to be quick as you can imagine. I paint as much as I can, no time to be fussy -that is why it’s so much fun!
I call this watercolour, “Alone in Paris”. There are a number of reasons for this. Firstly, when I visited the Musée d’Orsay in Paris I was struck by the sheer volume of people milling around the famous works of art. It was so busy I wasn’t able to get up close to study how masters like Van Gogh painted. I felt that the visitors weren’t really looking at the art on display, they merely acknowledged their presence. You could say they were ticking a list, Monet – check, Van Gogh – Check, Renoir – check and so on. So I felt like I was the only person in the room at that given moment who really wanted to immerse himself in the painting.
I was thinking also, how Van Gogh would feel? So famous now but ignored during his own life time. Here is a link to a description of his self-portrait by the way. I don’t know if he would be happier today, people are still not really looking at his art, – trying to understand it. His art has become a trophy that the super rich buy to stroke their egos. I am not so famous and I sell to only those who really appreciate my watecolours, I like it like that.
My wife mentioned that my style in this painting is more similar to my earlier art which was more graphic or cartoon like. I have to agree, I think the reason for this is that I am unsure of myself as I am only starting to paint people. I would much prefer to paint my figures like say Benjamin Björklund, which is to leave more for the viewer to fill in. I love Impressionism because it is so hard for me to achieve I think.
Alone in Paris: 52 x 34 cm
Click the thumbnail below to see the full-sized image
This is the final watercolour I will be painting from my experiences in Japan earlier this year. I suspect I will be visiting again soon as my son lives there and I miss him so. I look forward to finding more inspirational scenes to paint on my next visit.
If you haven’t already seen my latest YouTube video ( I paint the O-Torii Gate ) here is a link to it: https://youtu.be/yRRO36NAnU8 Click the thumbnail below to see the full-sized image
I painted this watercolour of the beach that is front of my mother-in-law’s house in Ploubazlanec. I found a nice photo on my phone from my holidays in France earlier in the year and it inspired me to paint the scene.
I only have happy memories from my visits there.
Even though this composition is relatively simple the placement of the Stockholm town hall is very important to the success of the watercolour, it’s the rule of thirds. The tonal values are even more important as the sky wouldn’t pop if the building and bridge had a lighter tone.
Personally I am on a little crusade to improve my understanding of tonal values, I enjoyed painting this scene.
If you want to practice doing portraits, download Sktchy app. Unfortunately it is only for iPhone users. Lots of people upload photos of themselves and artists, both amateur and professional sketch them.
For me, I just want to practice doing portraits and I don’t want to worry about copyright issues etc. So this is a great resource.
Yes, with the exception of my Patreon supporters you are the first to see this new episode of Meldrum Art – Watercolour Journeys. I visit Iwakuni, my son’s hometown and sketch the Kintaikyo Bridge. The Cherry Blossoms were in full bloom, it was so beautiful. Back at home I try to capture that wonderful day as best I can in watercolour. The video will be available to all later today on YouTube.