Yeap, it’s nice to known that spring is very close. We just have to have an average of plus degrees for 10 consecutive days. Looking forward to feeling good and sketching outdoors almost manically because I so do appreciate feeling good after the long winter months.
I have no wish to compete with photographic images. When I paint a nude from a photo as in this case I want to find my own way of expressing the feelings I have towards the subject. If I just tried to copy the image on my computer screen it would be just so uninteresting and also demoralising because the original photograph will always be best. I know there are super-realists out there who would disagree with me. There is no wrongs or rights, for me it’s just a personal quest to find a form of expression.
Reclining nude 36 x 26 cm
To see the full-sized image please click the thumbnail below.
As I write this it is minus 10 outside. Summer feels very far away right now. Thankfully I am an artist and can recreate the memories of the long magical days we experienced while sailing in the Stockholm archipelago last year. We sailed for a month, most nights we slept in a different natural harbour. This painting at Fjärdlång was created in the studio from a photo I had taken. I maybe act like a squirrel, I take photos all summer then store them for the winter months when I am starved of adventure and sketching outdoors.
If you would like to view the full-sized image please click the thumbnail below.
It’s been grey here in Stockholm for I don’t know how long. Boring, yes it is – but there is beauty out there in the greyness. I try to walk most days. I took some photos of the waterline at Björnö, not far from Stockholm. The reeds are all dead but beautiful anyway. This was a working sketch to see if I would do a large studio painting. I’ve decided not to and so I will move on the another watercolour challenge instead.
If you would like to see the full-sized image please click the thumbnail below
I have taken what seems to me a long break from painting. It’s involuntary, I suffer from SAD during the winter months and it can really slow me down. This year I escaped the depression but I still got the tiredness, plus the aches and pains. The good news is that brighter days are now on their way. The snow is coming and the days are getting longer. It makes me happy just thinking about it.
So , to get the ball rolling again I painted the first things that popped up in my photo-archive which just so happened to be a tugboat and a cow. I like the cow composition, it called an “O” composition, the eye is lead around the painting like a hamster in an exercise-wheel. We can be happy just letting our eyes go round and round for hours seemingly.
Last Sunday I spent a lovely afternoon with my friends at the Royal Swedish Academy of Fine Arts. The weather was truly awful outside so it was so nice to socialise indoors in these Covid-times. My approach for this sketch was not to try and achieve a perfect likeness of the sculpture but to practice my watercolour tonal skills. I will return another day and try and catch her likeness.
I walk everyday, it’s very important for me to get outside and get a breath of fresh air. It’s so essential to leave the studio and let my eyes rest by viewing my surroundings, my neighbourhood. Yesterday, I was inspired by the sky, the earlier rain had ceased and left wonderful clouds to hang around for a while. I sat down on a damp bench and sketched. My aim was to capture the clouds, to study them and learn from what I saw. It’s an impression and I am quite happy with how my sketch turned out.
Yes, I am trying to paint a nude a day. My plan is to wake up, have breakfast and then paint a nude. I never have to think about what I will do, I just have to start painting a nude. Simple. I wonder how long I will be able to keep it going?
Click the thumbnail to see the full-sized image.
In this video I paint a watercolour scene of islands in the archipelago while on holidays. My goal with these demonstrations is to help others who are trying to or thinking of sketching outdoors. My tip for this episode is that there is rarely a perfect sketching location to be had. Just sit down somewhere quiet and start, that’s the hardest step.
The watercolour to the left is the one featured in the video. 13 x 18 cm