It’s here at last, Episode 29. I really enjoyed this watercolour. It took two days to film. I did a pencil sketch on the first day but then had to wait a day to paint the final watercolour because I ran out of daylight. I talk a lot about composition and my approach to simplifying the subject. I hope you find it interesting.
I am finally back in the studio. So much to deal with after almost three months away from my desk. I just thought I’d rescan these images, most I’ve shown before but I’d captured them on my old iPhone, nice to take proper photos of them here in the studio while listening to Tom Waits.
I spent a beautiful two days in Björnö nature reserve back in June. I used my new hammock to sleep between two trees. I got a good night’s sleep and did some great sketches the following day.
I have been using perspex plastic on my watercolour sketching board. I wet the back of the paper then tape it down. After that I wet the front of the paper and let it settle. This isn’t actually my new technique. I am placing a damp cotton sheet between the paper and the perspex before I tape it down. This gives me lots of time to work on my clouds but I have to get used to it. My watercolours are a little pale at the moment but I’m working on it. Practice, practice.
Last week I spent a wonderful day sketching with Daniel Luther on Beckholmen, a dry dock here in central Stockholm. It was so rewarding just trying one’s best to capture the surroundings on paper. Going out with a friend makes it all the more fun.
I just finish my little sketchbook. I like the size and the texture of the paper, it’s called, Hand Book Journal.Co and it’s distributed by Speedball Art Products, Statesville, NC. It’s made in India. Here is a link to their website: https://www.speedballart.com/our-prod…
If you like my channel and would like to support the making of my videos, visit my Patreon page. My supporters get to see my videos first plus there are more benefits to enjoy. Join and be a part of Meldrum Art. (Thank you! 😀 ) https://www.patreon.com/meldrummart I hope you find this a little journey through my sketchbook helpful and even inspiring. Cheers.
Yes, it’s been a bit of a break. I think it was September or October last year when I last published a video. I have had a tough winter. I stopped producing videos as I couldn’t cope with the workload. I focused instead on painting and my life drawing classes. But now I feel good, my energy levels are back to what a 57 year old should be. I’m not a teenager for sure but I have regained my curiosity and enthusiasm to explore and achieve.
I hope you enjoy the video, I kept it short (6.30 minutes). It was filmed on Djurgården last August.
I am experimenting with damp watercolour paper techniques. There are many ways to keep the paper damp for a longer period so that one has time to paint a scene. I am not going to get into that in this post as I am in a bit of a rush. The most important thing for me is that my watercolours blend well on the paper and the edges stay soft, having more time to work is also a plus.
Since being accepted into The Water Colour Society of Ireland I have felt an urge to do a few watercolours of the emerald isle. I’d love to travel there but Covid is still restricting travel. I get my first jab this Friday, feels like a relief that I’m finally getting it.
This watercolour is of Donaghadee lighthouse, which lies southeast of Belfast. 52 x 34 cm
To view a full sized image please click the thumbnail below.
I’ll be honest. Nudes are difficult. Shading human skin in watercolour must be one of the hardest skills to achieve. It feels that way at least. Luckily, I love just trying and trying, … and trying to master it. One day, maybe – maybe not.
I gave this one a good go, I did my best. It’s not fun admitting to oneself that one has a long way to go before mastering a watercolour nude.
To see a larger image please click the thumbnail below