I am enjoying my return to figure painting. I have been using charcoal for ages but not anymore, at least until I crave a change, … which happens quite often. The poses here are 2-5 minutes long, the drawing has to be quick as you can imagine. I paint as much as I can, no time to be fussy -that is why it’s so much fun!
I don’t know how long I can keep this up? I want to paint a portrait every day for the foreseeable future so that I can improve in this area. The only problem is there are other projects that need to be taken care of too. I can juggle pretty good but dealing with my new art career is tricky.
I am happy enough with this portrait, I like the nose – that’s enough for me to like the painting. See, I am not too demanding on myself! I spent too much time fiddling with the shading so it’s not perfect but I know I will improve each time I do a portrait and that’s incentive enough for me.
Painted on Suanders Waterford CP 26 x 36 cm.
Click the image below if you would like to see the full- sized painting.
I have been trying really hard not to paint sail boats for a while now, it’s hard – I just love to paint them. The reason I am avoiding them is so that I can develop as a watercolour artist by painting other things that I am not used to and find difficult. Portraits are difficult, the one that’s featured here doesn’t resemble the original model very well. I wasn’t trying too get a perfect likeness, my goal is to master painting skin and building the facial form, I think creating a likeness will improve as I practice.
The model reference by the way was downloaded from the iPhone only Sktchy app. Why it’s only iPhone users who can use this service I do not know. Click the thumbnail below to see the full-sized image
I call this watercolour, “Alone in Paris”. There are a number of reasons for this. Firstly, when I visited the Musée d’Orsay in Paris I was struck by the sheer volume of people milling around the famous works of art. It was so busy I wasn’t able to get up close to study how masters like Van Gogh painted. I felt that the visitors weren’t really looking at the art on display, they merely acknowledged their presence. You could say they were ticking a list, Monet – check, Van Gogh – Check, Renoir – check and so on. So I felt like I was the only person in the room at that given moment who really wanted to immerse himself in the painting.
I was thinking also, how Van Gogh would feel? So famous now but ignored during his own life time. Here is a link to a description of his self-portrait by the way. I don’t know if he would be happier today, people are still not really looking at his art, – trying to understand it. His art has become a trophy that the super rich buy to stroke their egos. I am not so famous and I sell to only those who really appreciate my watecolours, I like it like that.
My wife mentioned that my style in this painting is more similar to my earlier art which was more graphic or cartoon like. I have to agree, I think the reason for this is that I am unsure of myself as I am only starting to paint people. I would much prefer to paint my figures like say Benjamin Björklund, which is to leave more for the viewer to fill in. I love Impressionism because it is so hard for me to achieve I think.
Alone in Paris: 52 x 34 cm
Click the thumbnail below to see the full-sized image
This is the final watercolour I will be painting from my experiences in Japan earlier this year. I suspect I will be visiting again soon as my son lives there and I miss him so. I look forward to finding more inspirational scenes to paint on my next visit.
If you haven’t already seen my latest YouTube video ( I paint the O-Torii Gate ) here is a link to it: https://youtu.be/yRRO36NAnU8 Click the thumbnail below to see the full-sized image
I painted this watercolour of the beach that is front of my mother-in-law’s house in Ploubazlanec. I found a nice photo on my phone from my holidays in France earlier in the year and it inspired me to paint the scene.
I only have happy memories from my visits there.