I am experimenting with damp watercolour paper techniques. There are many ways to keep the paper damp for a longer period so that one has time to paint a scene. I am not going to get into that in this post as I am in a bit of a rush. The most important thing for me is that my watercolours blend well on the paper and the edges stay soft, having more time to work is also a plus. Since being accepted into The Water Colour Society of Ireland I have felt an urge to do a few watercolours of the emerald isle. I’d love to travel there but Covid is still restricting travel. I get my first jab this Friday, feels like a relief that I’m finally getting it.
My first day at Björnö was an amazing experience but I wasn’t happy with the watercolours I created. Rather than get all depressed about it I decided to just return to Björnö and try again. The important factor being that I was alone and so I could relax and really think about what I wanted to achieve. Basically, I wanted to paint better. Some important things I learned from the day before was to take my time, be precise and paint in the shade. I had a wonderful day, it was colder but the sky was a summer blue. ( As I write this it is snowing outside my window, April weather in Sweden is pretty damn extreme. ) By the end of the day I had three nice little paintings and I went home with a smile on my face. It’s a nice sensation to feel one is progressing.
I have been accepted into the Water Colour Society of Ireland. It’s a great honour and it means a lot to me. I grew up there and part of me will always be Irish – even after 36 years away. Damn, time flies.
Being accepted into the society means I will be asked to submit work for the annual exhibition held in Dublin. So I need to get painting those Irish scenes. What a great excuse for me to spend some time travelling along the west coast of Ireland for my art’s sake. ( After the pandemic of course. ) 😉
This watercolour is of Ireland’s Eye. A dear friend of mine took a lovely photo and posted it on Instagram. Thank you for letting me use it as a reference Barbara. The view is from Malahide, outside of Dublin. It’s where I grew up as a teenager.
To see a larger image please click the thumbnail below.
I have been visiting Björnö here in the Stockholm archipelago for many weeks now. It gets a little warmer each time I sketch there. Yesterday, I decided to do a studio painting based on my sketches and photographs. I am trying to catch the Scandinavian melancholy I feel when I visit the archipelago during the winter months. I’m happy with the result.
This is a final version of a sketch I did during the winter months. I live in an old industrial area quite close to central Stockholm, it’s under development. I go for walks most days and I try to find beauty in what I see. It’s my quest right now. I want to avoid the pretty picture trap, some call them chocolate box – watercolours. Yes, I want to avoid that. I’m buying lots of old Lars Lerin books from the 80’s and 90’s, I think he captures the scandinavian everyday so well.
Title: Kvarnholmen in winter. 37 x 27 cm
Click the thumbnail below if you would like to see the full-sized image.
I took myself to Björnö yesterday which is a 45 minute drive from stockholm. I walked for another 40 minutes through woods until I reached a beautiful spot that inspired. It was meant to be a grey day but it wasn’t. I find these kind of small adventures so rewarding.
I managed my first plein air for this year. I visited Björnö Nature Reserve, which is east of Stockholm on Ingarö. The temperature almost reached 6 degrees! I had to use a gas burner to dry the painting, and yes, there is a burn mark. It’s becoming my signature. But seriously, it was so nice to get out and sketch. I had to trek for an hour to reach the spot I painted from but it was worth it.
My name is David Meldrum, I love painting watercolours. Another passion I have is life drawing, I run a class called Meldrum Kroki. I was born in Ireland but since 1990 I have lived in Stockholm, Sweden.
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