Life without a sailing boat

I have been trying really hard not to paint sail boats for a while now, it’s hard – I just love to paint them. The reason I am avoiding them is so that I can develop as a watercolour artist by painting other things that I am not used to and find difficult. Portraits are difficult, the one that’s featured here doesn’t resemble the original model very well. I wasn’t trying too get a perfect likeness, my goal is to master painting skin and building the facial form, I think creating a likeness will improve as I practice.

The model reference by the way was downloaded from the iPhone only Sktchy app. Why it’s only iPhone users who can use this service I do not know.
Click the thumbnail below to see the full-sized image

Portrait by Meldrum Art
Portrait by Meldrum Art

An experience from the Musée d’Orsay

I call this watercolour, “Alone in Paris”. There are a number of reasons for this. Firstly, when I visited the Musée d’Orsay in Paris I was struck by the sheer volume of people milling around the famous works of art. It was so busy I wasn’t able to get up close to study how masters like Van Gogh painted. I felt that the visitors weren’t really looking at the art on display, they merely acknowledged their presence. You could say they were ticking a list, Monet – check, Van Gogh – Check, Renoir – check and so on. So I felt like I was the only person in the room at that given moment who really wanted to immerse himself in the painting.

I was thinking also, how Van Gogh would feel? So famous now but ignored during his own life time. Here is a link to a description of his self-portrait by the way. I don’t know if he would be happier today, people are still not really looking at his art, – trying to understand it. His art has become a trophy that the super rich buy to stroke their egos. I am not so famous and I sell to only those who really appreciate my watecolours, I like it like that.

My wife mentioned that my style in this painting is more similar to my earlier art which was more graphic or cartoon like. I have to agree, I think the reason for this is that I am unsure of myself as I am only starting to paint people. I would much prefer to paint my figures like say Benjamin Björklund,  which is to leave more for the viewer to fill in. I love Impressionism because it is so hard for me to achieve I think.

Alone in Paris: 52 x 34 cm

Click the thumbnail below to see the full-sized image

Alone in Paris 52 x 34 cm
Alone in Paris 52 x 34 cm

 

A winter watercolour of Grönalund in Stockholm

November light 70 x 50 cm

 

Gröna lund, Stockholm
Gröna lund, Stockholm

The winter months before Christmas are so dark here in Stockholm. The clouds tend to get tired and seem to rest on the ground. It is nearly always grey in November.

I originally sketched this scene with Stockholm Urban Sketchers in August, I really liked it so I decided to paint a large version of it now. I was of course influenced by the time of year I was in.

 

Click the thumbnail below to see the full-sized image

November light. Grönalund in winter
November light. Grönalund in winter

 

The final painting of the O-Torii Gate

This is the final watercolour I will be painting from my experiences in Japan earlier this year. I suspect I will be visiting again soon as my son lives there and I miss him so. I look forward to finding more inspirational scenes to paint on my next visit.
If you haven’t already seen my latest YouTube video ( I paint the O-Torii Gate ) here is a link to it: https://youtu.be/yRRO36NAnU8
Click the thumbnail below to see the full-sized image

O-Torri Gate, Mijayima, Japan
O-Torri Gate, Mijayima, Japan

Watercolour Demo – Painting the O-Torii Gate [ EP. 6 ]

I just published my latest video on YouTube!

This is the final watercolour demonstration video from my trip to Japan earlier in the year. It was the last 24 hours with my son so it was a special day.

Sponsor my videos for as little as $3, click the link below to find out more.
https://www.patreon.com/meldrumart

Nice memories of Plubazlanec in Brittany

I painted this watercolour of the beach that is front of my mother-in-law’s house in Ploubazlanec. I found a nice photo on my phone from my holidays in France earlier in the year and it inspired me to paint the scene.
I only have happy memories from my visits there.

Click the image below for full-sized image.

meldrumart- ploubazlanec brittany
meldrumart-ploubazlanec brittany

Working with values

Stockholm Town Hall 2018.11.25

Even though this composition is relatively simple the placement of the Stockholm town hall is very important to the success of the watercolour, it’s the rule of thirds. The tonal values are even more important as the sky wouldn’t pop if the building and bridge had a lighter tone.
Personally I am on a little crusade to improve my understanding of tonal values, I enjoyed painting this scene.

Click image below for full sized photo.

Stadshuset / Town hall
Stadshuset / Town hall

 

Capturing light in Paris

I love Paris, with it’s museums, cafes and the sketching opportunities.
I am currently trying to improve capturing light. It is all about having the correct tonal values. It’s quite difficult and it is going to take me a while before I master it. I visited Paris a few years back, I would love to return and spend a week cramming French culture into my head  – especially the Impressionists. It’s an expensive town though. If anyone has a bed for me in Paris I would be very interested!
26 x 36 cm

Full-sized image below:

Paris Street by meldrum art
Paris Street

Life drawing in Stockholm

Konstnärshuset, Stockholm

Once again I went life drawing and not my own so that I could relax and enjoy myself. I think it’s important to draw as much as possible, everyday really.
The model was great, she posed wonderfully so I got inspired and then it just seemed easy to sketch her. Most poses were 5 minutes long but there is a 10 minute and 2 minute included.

If you are interested in attending my life drawing classes please visit here