Capturing the light

I think capturing the light is the hardest skill to achieve in painting. I have been studying composition and tonal values during the last year, it is through the careful balance of tones that one achieves light. It’s really hard to master but I’m having fun trying. This watercolour was painted plein air a few days ago.

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Paimpol street
Paimpol street

 

 

Paimpol harbour area

This was my last day in France, the next day I would be making the long journey home to Sweden, a 13 hour trip by rail and air. The day was hot and the sky was a clear blue. I have dicovered through experience that blue skies are generally very boring when it comes to watercolour. It’s much more interesting having rain clouds on the horizon. So I was a little nervous with the painting, I knew it had great potential – I just had to find the right balance. I am happy enough with the result, I would like it to be more loose in style and will probably have another attempt at it here in the studio in the coming months. I will add some human figures to the composition too I think.
Painted on the 26th of August. 41 x 31 cm Arches rough, 300g

The first watercolour wash
Paimpol harbour area, the first wash
Plein air kit
One of my plein air set ups
Photo of the Paimpol harbour area
Photo of the Paimpol harbour area

Loguivy de la mer

Just ten minutes away from where I was staying in Brittany last week there is a small fishing village called Loguivy de la mer. I found it magical and visited the place for three days in a row. These watercolours were painted on the second day, the 22nd of August I think it was. I am happy with them, they are loose enough in style to feel quite fresh – at least, I think so.

Loguivy de la mer at full tide
Loguivy de la mer at full tide. Arches rough 31 x 23 cm, 300g