I visited the quaint harbour town of Donaghadee during my stay in Northern Ireland. I went there twice in fact as I feel at ease there for some reason. It’s probably the open horizon that attracts me, I can feel a bit claustrophobic otherwise in Bangor where my mother lives, I spent 10 days with her while my sister who lives close by had a well deserved holiday.

Watercolour painted from the passenger seat of my mother’s car in a Saunders 38 x 28 sketchbook.

My studio – my palette

Welcome to my studio. It’s important to have a permanent space somewhere at home to paint when the opportunity presents itself. I am lucky my oldest son moved out and I was able to takeover his room. Would I give him his old room back if he came home from overseas? Sure, maybe! 😉



From my sketchbook

I am having a lot of fun playing with light and shadow right now. These two photos show a little of the technique I use. It’s sketched on Moleskin watercolour paper which really sucks because it doesn’t if you know what I mean. It doesn’t matter though, I use the sketchbook for learning porpoises. 

Today, I cycled around Stockholm for hours taking pictures of buildings in the autumn sunlight. I think the more technique you learn the more interesting watercolour becomes. I am totally fascinated by it.

Winter in Stockholm


I completed 90% of this painting a month or ever two months back, the last 10 % has taken a lot more time. I learned this from Chien Chung-Wei, he might spend two hours on a painting but the final 10% can take many more hours – days even.
Luckily for me the weather is so damn cold here in Stockholm that the snow doesn’t look out of place now that it is spring, it was snowing here today in fact. So, maybe I should rename this painting to, “Spring in Stockholm”. Only kidding, I do look forward to warmer weather though.

Painted on Arches rough 300g, 2017.04.25, 52 x 34 cm.
Click on the image below for a larger image.

Waterclour, Winter in Stockholm by David Meldrum
Winter in Stockholm

On my way to Brittany 


I travel to Brittany, France in June with my wife and two artist friends, I’m really looking forward to it. I painted this watercolour recently from a photo I took in 2014, the old trawler is missing it’s cabin these days, storms have taken their toll. I haven’t seen the old boat for a year, I wonder how much is left.

Painted on Arches rough 300g, 2017.04.14, 36 x 26.5 cm
View larger size by clicking the image below.

Trawler in Brittany by David Meldrum
Trawler in Brittany



A commissioned work. I am not used to watercolour portraits so this was challenging. I had three days to paint it, it was a good experience, I learned a lot.
37 x 27 cm

Click image below to see larger version

Wide format

I have realised that painting in a wide format really suits my watercolours of life in the archipelago. It’s the big open horizon that we all find appealing when we are out in the great outdoors.
69 x 24 cm

The original reference photos were taken by Finish photographer, Erik LÀhteenmÀki. You can visit his website here.

Click image below to see larger version.

FolkbÄt regatta nr.1
FolkbÄt regatta nr.1


Yesterday, I made a real mess of a large painting. It was going so well, the initial drawing and the placement of cobalt blue for a brilliant cloudy sky… then I added some grey to give body to the clouds. I ruined it.

So today it’s practice time. I am painting on the back side of an old watercolour. It’s a good tip not to throw out your expensive watercolour paper until you have used both sides.

Click the image below for a larger version

A picture of quick watercolour practice
Watercolour practice

Popular subject

People here in Stockholm like my paintings of sailing boats in the archipelago, they sell very easily so I’d be stupid not to continue creating them. This painting is interesting as it is in a wide format which suits paintings of the great outdoors a lot.

Format: 52 x 13 cm

Click the image below to see larger version